The next day I committed myself fully to making a good first draft for PIRATES OF PENZANCE. I came up with a “colored etching” look that would be consistent with the constraints of this particular production. Because of the lighting renovation at TJ, the show may have to be moved. Hence, I need to make a predominantly 2-D set, that can pack up and be moved in a single truckload. What you are seeing in the sketch are all cut flats (some attached to a 7’ high rolling platform…), and a backdrop. I presented my designs at Malcolm’s poolside to an agreeable reception.
The next day started early, when I took my sorry butt to Seat Pleasant to paint the entire set for JOSEPH. Because of delays in the design for another show that was being produced at Imagination Stage, I was delivered the set to be painted on Friday (the show opened Wednesday!) So, I spent the entire day painting. I started to get loopy around midnight, and decided that that was good enough.
The next morning Dan T and I went the Arlington Cinema and Drafthouse to help repair their grand curtain. Due to a purchasing error (and an inability to diagnose the situation on my part) we decided that more parts needed to be ordered and that the day was pretty much a wash. So we’ll be back to finish the job when the parts come in.Production photo of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT
Imagination Stage @ CESJDSI took some portfolio shots of JOSEPH today. Ayun Fedorcha is the lighting designer, and she always makes my work look great. My photos are only so-so. I guess I need to break down and buy a digital camera soon!
I will be fully committed to making a whole bunch of Tiki paintings for the Motor city Tiki show this week. Hopefully I will be far enough along next Wednesday to have some to share digitally! It’s nice to not have a million things going on for one week…just one big one!
No comments:
Post a Comment